Creative Business Plan

Thoughout Color of Woman and the other Intentional Creativity® trainings, we are offered tips and tools to help fine tune our vision, and keep us on track. One of the recent offerings for both students and course graduates was Dancing Entrepreneur , which was offed as either a weekend course, or a deeper 5 week dive. This year's Color of Woman class could use the plan book created during the workshop, or the one following the older videos.

Vision cards

I participated I the longer journey, and enjoyed the depth of offerings, calls, and focus groups that emerged. Several of our teacher Shiloh's colleagues and advisors shared insights, and it was very rich.  In addition to creating a folded Vision Plan Book, we created a deck of 16 card Dancing Entrepreneur deck, as action prompts for our next 'Dance Move.' We wrote short prompts or Dares on the back, and Shiloh suggested drawing one daily.

Vision Cards

I loved seeing the other students' work, and was especially drawn to a visual organization system Karen Dawn created, and to how she incorporated the cards. Karen has developed a visual planning wall that helps her stay organized and focused, and I'm excited to participate in her 6 week course. 

Our next assignment is to create a Vision Board for our own planning wall. I've done several over the years, it feels timely to do one focused on current energies. 

I'm thinking of creating some calendar pages for my wall, like I've done in journals. One of Karen's inspirations for her wall was realizing how many great ideas were tucked away in her journals, and "out of sight, out of mind!" (Does that happen to you, too?)

Calendar spread

One of the Creative Business planning projects we did in CoW was to paint our Biz-Muse - she's a whimsical muse, with a winged eye, for seeing behind the ordinary, and intentions collaged on strips of paper.

Biz-Muse

Next up - collage time!!  

I used an 11×15" sheet of watercolorpaper for the backing, and images and words from several magazines for the board. The mountains are The Three Sisters, which I grew up with in Central Oregon. 

A piece of foam board could hold some of my planning wall - I'm excited to watch the next video!

Happy PPF!

Collaboration

Since my own journey through Color of Woman, I've had the pleasure of collaborating with several SiStars in our community! 

The very first collaboration was at the beginning of my CoW journey, June, 2015! Graduate Lora Pirtle invited me to join the PNW MeetUp group, and post my offerings there. When I asked about auditing her upcoming 'Mystical Mermaids' class, she replied, "no, teach it with me!"
Here are the class photos from our afternoon class - I played harp during the visioning, and she'd prompt me to show them what's next throughout the afternoon. (Yikes!!) I was glad we only had two students, for this 'soft introduction' to teaching Intentional Creativity!

Serena of the 7 Seas

The next collaboration was as I was gearing up to teach my 13 step class, Dancing with the Muse. My friend Sepha Nisbet had been teaching Paint Nite for several years, and gave me tips for teaching in a carpeted room without running water (the chapel at my church!) and attended! She asked great "beginner" questions that helped keep me on track, and helped with set up!! (The link has some of her excellent set-up tips!) 

Sepha enrolled in CoW '16, and we co-facilitated many monthly circles and periodic classes over the next several years. We created and used our 13 step prompt card decks early on, and at Shiloh's request, created the video and handout for the CoW class of '18. 

4 of the prompt cards

With this Spring's turn toward virtual classes, I looked for SiStars to co-facilitate my monthly Red Thread circles, and decided to add a second circle to our offerings. It's exciting to team with gals who live over an hour away, and can't easily attend our in-person circles, and to benefit from their different passions and soul work.

Yesterday Linda Allen, who is a graduate of both Red Thread Guide and Color of Woman courses, and is finishing Catt Geller's Cosmic Smashbook course, offered "What's in your Basket?" (during this time). Linda has a strong background in crafts, and we've both woven baskets, so she she suggested a 3-D approach! 

Basket and Vision plan cards

In April and early May, I teamed with EFT (tapping) practitioner and CoW graduate Sherry Rueger Banaka, with a Metacognative process on resilience and short tapping routine. Gals from her tapping community joined us from England and British Columbia! 

Morning's basket, leather, twine...

One of the benefits of collaboration is that wider reach, connecting with beloveds from afar and different circles. Yesterday, our attendees included 2 other IC graduates, and two students - one in CoW 2020, one in RT Guide! Each is interested in co-facilitating a circle, and brings unique gifts. 

Whatever your own passion and soul work, collaboration is a good time for thinking outside the box. 

• Who has wisdom and skills that complement yours?
• Might beathwork, Tai chi or yoga be a good addition? 
• Does a friend know a craft you would like to learn? 
• For in-person classes, can someone help with set up in exchange for attendance? This is great for scholarship students.
• Who is responsible for what? (Spreading the word, registration, teachings...)

My circles are currently complimentary, but when you're charging for events, it is important to communicate, and be clear about logistics, including responsibility and how expenses and income will be spilt. 

If you still need to offer some of your circles or you 13 step class, consider teaming up with a SiStar student or graduate, and doing it together! 

One of the Silver Linings during this time of dsocial distancing is the opportunity for unexpected collaborations!! 

Visionary Business Plan

Many of us who identify as *creatives* are challenged when it comes to the business end of things. 

Throughout the Color of Woman training, several of the Red Thread projects help us define our own offerings, our Body of work, and ways to share those with our beloveds.

The story cards help us identify and shift illuminating beliefs, we gather gifts in the Medicine Basket, and as discover allies as we paint. Our visual Vision Plan Book offers a container and Guide for our personal businesses (instructions are in the Visionary videos, the older set from 2012) 

Dancing Entrepreneur Action Cards

In addition to the smorgasbord of teachings available during our Color of Woman quest, support for both broadening our creative horizons and as businesswomen is available to us as graduates and Guild members. 

This year, Shiloh and Stella Mac teamed up to offer Dancing Entrepreneur to Color of Woman students, Motherboard graduates and Guild members as a weekend class...or a longer course (also open to a broader community)

What's your next dance move? 

16 essential frameworks 

For Entrepreneurs who dance between the worlds 

In addition to creating a folded vision plan book, we created 16 Card Dancing Entrepreneur decks, for taking action on various facets of our businesses. We could focus on our larger business, or on a specific project within that framework. 
Shiloh creates these booklets for each of her protects, to zero in on who she's working with, what the offering will be, how it will be delivered, who she'll collaborate weigh, ...

Vision Pam Categories

Originally planned as a live offering, to coincide with Shiloh's trip to the Council on Women at the UN, a pivot was needed, and the vision shifted to this online offering. 

Particularly timely, the longer course includes weekly group calls, and the option of bringing our ideas and action steps to our virtual classroom for witness and fine tuning. This iteration of the plan book included creating a 16 card action deck to component the plan book, and help us take our own next steps.

Shiloh's coach and friend Amy Ahlers joined us on today's call for a juicy segment on bringing offerings to our beloveds. We owe a debt of gratitude to Amy for encouraging Shiloh to begin offering the Color of Woman teacher training after the crash of 2008! 

I invite you to revisit your own Vision Plan book, and plan your own next Dance Moves! 

That first Class

Here you are, at the threshold of teaching your first 13 step class - you've painted your Legendary lady, and began having morning tea with your Muse. You've met your inner Artist and taped your Soul Fire. You've gathered tools for your Medicine Basket, and rewritten some old stories ... 

And now...

It's time to offer that first 13 step painting class!! Yikes!! 
First - Breathe! You've got this! 

You have likely been gathering ideas for your theme, and jotting down notes from your CoW SiStars classes. It's great to have a folder of journal to collect these! 

Sit with your Muse and journal to refine your ideas and choose the name. Muse or Queen of .... is often a good start. Shiloh often suggests to choose a theme that is juicy for us, and perhaps has us shaking in our boots.

Gabriella - my first Muse

This usually isn't the time for offering your ideal destination retreat! Jot down your ideas for that Shiny Object (in a special journal?) so you'll have them later! Then - back to ideas for this can-do workshop! You need two students, and two days. 

• Pull out (or make) your set of 13 step prompt cards
• Do a Metacognative drawing or two, exporting your theme: Muse of Creativity, Queen of your Heart ... draw then ask her what she lives by?  What do her symbols represent? What is her Motto, how does she counter the critic?
• Do a demo painting, using the same size canvas as your beloveds will work on (16×20" is a good size for your first offering) Follow the flow of your cards, and do the journaling. Do you need to add another card or reminder?

As you're preparing, paint with your students in mind, keep it simple! The 13 steps are a great guideline, they're a teaching outline for our own use.  - we generally don't share them with the students, as they are proprietary to IC. 

• You may wish to watch one of the shorter videos - Queen of your Own Heart or Tea With the Muse and paint along (adapting for your theme)
• Experiment with glazing one side of the face and the opposite side of the neck different colors - this adds quick interest!
• Get a rough idea of how far you want to get by the first break, and the end of the first day.
• If you're offering a shorter class, combine a couple of steps, and invite the students to journal about the inquiry before class.
• Choose a reading for your RT circle, and write out your visioning/journey.

After you've gotten ready to teach, found your theme and set the date, you can promote your class, with info on how to register (that can be as simple as "send me a message!"

I use Instagram with #intentionalcreativity #oregonartclass #intuitivepaintingclass, etc and have my website link in my bio. I also have an artist page on FB and post Events there, then "share" those to my main page and in groups like the RT Cafe Classroom.

Sepha and Nadya in Tina Gain's class ('16)

For your first class, invite friends who've expressed interest, others in your community, family members - if you offer a special discount, make sure they know that this is a Special! I give a discount for friends who register together, and returning students. 

You can also teach teach other - I have taken several classes from IC SiStars, and it's always a joy, and I learn something new each time! 

Find more tips on teaching that first class here and from some of our colleagues here.

Breathe - you've got this!   

Teaching Tips from the Council

Getting ready to offer your first class - yikes?!?!

We've all been there - will they like me? What if I forget something?? I don't know what I'm doing!! 

I asked our Muse Time Council of support to share tips - what they wish they'd known before that First Class, ideas on self care, etc - here's what some of them said: 

Council of Muses

Rosie: Breathe! Deeply! This is a time the Inner Critic may arise - I wish I'd known that nervous and excited are very similar emotions...they evoke the same physiological response. 
You can choose to feel excited, and ask the inner critic to take the day off, as you have work to do. Then get centered and focused, and most of all, have fun, because you can! 

On getting students:  Rosie: I put out a "one time only offer," that covered material costs, and a small fee, and asked people to attend to help me compete my study and certification. I made a big deal of it being available for 4 places and got got rapid results.
Nadya: this first class generaily won't be that dream workshop at a destination!! For your first class, keep it simple and accessible for yourself and your students! Two for a lower price plus a materials fee is another option. 
Maria wrote that she had invited her best friends, at no charge, and later, they were excited to see her initiate book with pictures of their class and their Testimonials.

Janet: Prepare your materials to where you feel comfortable. Set your space up ahead of time, so you don't feel rushed or pressured. Let go of expectations, and trust that it will work out for the best. 
Don't feel you have to have it memorized, it's ok to have note cards and written notes to help you out. Breathe! Don't worry if you leave something out, or do a step in the "wrong" order - it's all good! 
Once you start teaching, your beloveds will be on their own path, and will get it done in their own way! Release and surrender - trust yourself (and your Muse!!) 

On Design - Rosie - For a 1 day class, I use a template. You can make up your own design, but I tend to use this one, and it's petty much lines by numbers for the face. Extend the lines to the bottom of the canvas. I started with a class designed to "Meet Your Inner Guide," and it's always around the theme of listening to your own heart. 

Rosie's Template

This is way less intimidating to those with no experience. Invite participants to choose the colors, marks and symbols they saw during the visionary journey, and the message received from their Muse. They all paint from the same design - and all come out different! 

Rosie's painting Part way through the demo

A 2 day class is a deeper exploration - the same template can be used for the face design only - I invite them to choose to orient the way they want. I found this structure very helpful when I began teaching.

Journalong and Reclaiming

As you travel through your CoW Quest, if you're like me, you likely have been filling journals with your process and progress! I use spiral bound art journals for sketches and Metacognative drawings, and covered and repurposed a bunch of composition books following Catt Geller's lead. 
I have a page on my blog with some tips on journaling, and recently wrote about continuing process journaling on their own for my students. I intend to print this and offer it as a handout, or email it as a PDF after the class.

Star codes

When I'm teaching, one of the things I find hardest to do is my own journaling during class! I give the prompt for my students, and may jot a few notes, but rarely do as much as I might on my own. I may also have done a trial painting on my theme before the class, to work out the kinks. It's helpful to leave some of these unfinished, and include them in the "Ladies" I bring as examples to the class. It is especially helpful for new painters and for those in shorter classes to see simpler work.

Soo... 

I try to take time after class to connect with my painting and journal. I also make notes on what came up for students, insights, sketch symbols, flesh out ideas for the next class, and ways to improve the teaching, set up, etc. When I co-facilitate classes, we try to meet for tea and debrief a few days later! 

Muse -2016 with Livestream

You may wish to dedicate a new journal for your class notes and insights, and include a section for messages from your demo paintings. This is a great place to record new class ideas, the journey and poem you plan to include, etc. Revisit it after the class, to add notes, sketches and do some journaling with your new muse.

A delightful suggestion from Shiloh on reclaiming that demo painting after class is to spray the canvas, run a swath of white paint along the top, spray again, then sit back with your journal as you watch the drips! What's going into the Fog? What came up during class you're ready to process/release? What new insights are emerging?

Same canvas, flipped for Muse 2018

This is a canvas I began supporting the Livestream for muse in 2016, when my friend Sepha was in CoW. I didn't really connect with it, and it sat for a couple of years ... 
I rarely gesso over a canvas, so I likely did a glaze or two, and I think used the white glaze tip, then flipped it and used it for the 2018 Muse. 

Soul Spark

Like Shiloh, I often have several canvases in process at one time, and use left over paint on different ones ... Soul Spark now has Star codes and I've been adding to her recently.

Do you have any favorite tips on journaling or your process work your demo painting? 
Share in the comments! 

Time to Shine

I just had a virtual chat with a couple of friends on this year's CoW Quest, and they're getting nervous as they near the finish line:

• The writing! 
• Teaching that 13-step class. 
• Feeling The Time Crunch
• The WRITING!!
• And Oh My Gosh! What happens after I finish?? 
• What do I say for my Artist Statement and Bio and ...??
• How do I write about my paintings?

As we chatted, I thought of each of you and your journey - wherever you are on the quest! And of your personal challenges and triumphs! And - you've got this!! You've come so far already - that's hard to realize sometimes! But you have! 

Soul Spark Muse 

So take a deep breath, and congratulate yourself on what you have accomplished!! 

Pull out your journal /print out of Assignments, what's left?

• Do you and your Muse have a time frame? 
• Utilise snatches of time!
• Do you have a word program and file set up to receive what you've written?

Categorize

• Which assignments have you shaking in your boots? 
• Which are easy peasy and almost compete? (Alternate some of these with the harder ones, and check them off!) 
• Color code these by difficulty, or make a card for each, with steps in the back
• Or: write on slips of paper and put them in a jar - pull one or two a day. 
• Write about/take an action step 
• Set a card or slip aside till later if you need, but pull another! 
• Are any confusing? Ask! 

Here are some strategies that could help

• Keep it simple! 
• Go through your journals with tabs or sticky notes, and mark pages that hold writing to distill for your Initiate Book. 
• If English is your second language, write in your mothertongue - then translate/ have someone proofread 
• Notice where you feel stuck - are there parallels with places you get frustrated or stuck in your life? 
• How do you typically react? Ask the Muse if she has feedback/ tips - this is a great place for a Metacognative process - draw, then write your insights

Inspiration

• Choose a few artist websites and blogs to check out - read their "about" info, and jot down phrases that whet your interest. 
• Have a place to record class names and ideas from your SiStars which appeal
• Connect with your passion and values for soul work and future visioning
• Find the notes from your calls with Stella Mac - there are often juicy tidbits!
• Call council with your IC paintings and ask for assistance/gems of wisdom

Allies 

• Schedule a chat with a classmate or one of the graduates in our FB group
• Team up and read each other's work, or ask a graduate to proofread 
• Schedule some self care, a massage, a walk in nature, a chat with a friend 
• Check in with Sarah if you haven't in awhile

What's your piece of the thread?

You are doing a great job, and have so much to offer the community! 

Thank you for saying "Yes!" to the quest! You've got this!