SOULWork

 The invitation reads: "Your SOULWork Project is a culminating presentation exploring Intentional Creativity as applied to a personal interest. Plan to take 6-8 hours taking your interest to the 'next level.' Document in the way that makes sense: writing, link to a hosted URL, etc."

How do we make that connection between a personal interest and IC?

A good place to begin is to pull out your journal, your Medicine Basket, and draw a couple of Story Cards.  Sit with one of your paintings, and inquire, 

• What are some of my Personal Interests and how do they dovetail with IC? 
• How can I serve MY beloveds and my Soul Purpose? 
• Perhaps do a Metacognitive Drawing around the inquiry. 

If it's something you've already done, you can share the link (dropbox, youtube, blog post, google docs, etc) or you can simply flesh out your notes and any images you have of your project 'in the works.

I originally wrote about my SOULWork from the perspective of being a Grandmother, and using it to support my grandchildren. While that's been a part of work since the beginning, when my 4 year old grandkids added strokes (invited!) to my CoW paintings, I realize that another thread is my offerings as a Reiki Master.

In 2015 and '16, I wrote about this on my King's Touch Reiki Blog, "When studying Intentional Creativity, preparing to become a Color of Woman teacher and IC coach, I needed to offer several Red Thread Circles and events. My teacher Shiloh Sophia invited me to consider the connections between Reiki and the IC teachings, "I know there are connections, explore what they are."

A Chinese legend tells that we are connected before birth with those whom we're destined to meet by an invisible Red Thread. Through out lives, the thread may twist, stretch and tangle, but will never break. We each hold, and are responsible for our own piece of this thread.

I immediately saw a connection with my own Reiki Thread, and considered how to weave the IC teachings to support my Reiki students. In April on 2015, I included my first Red Thread circle for the training during a Reiki I class, inviting each initiate to share her piece of the thread. One, Lora Pirtle, was already certified in IC, and was tickled. During our 2nd Degree class in July, we incorporated the symbol practice sheets into creating a Medicine Basket as a journal cover. 

Students Creating Journal covers

When I took Second Degree Reiki in 1990, we first learned the three symbols, and then (gulp!) burned the papers!! Scary, but empowering! We were at the coast, & that night, I danced the symbols under the stars - WOW!

With Intentional Creativity, we can use the creative process as our Holy Fire of transformation and integration. 

Some of the Medicine Basket inquiries are:

• What will you be known for? 
• What Healing tools & remedies do you offer? 
• Who are your Beloveds?
• What is in your medicine basket?

When I painted & collaged 'gifts' onto my first Medicine basket, I immediately saw this as a lovely process to include in my upcoming Reiki 2 class (and included that as my first RT event assignment). I invited the students to bring scrapbook materials or Quotes they might want to include, and dream-stormed on how to integrate the teachings of Reiki, & the Medicine basket process. 

Intentional Creativity has proved to be a lovely support the Reiki teachings. I've formulated a Red Thread Reiki curriculum, with creative projects to help the teachings of each level. These Red Thread teachings are available separately for those who have studied with another Master, and I would love to collaborate with other Reiki Masters in offering these.

In later Reiki Classies, we've made Prayer Flags on the Reiki Principles during First Degree and Apothecary Vessels for the journal covers. So my SOULWork was already present, and interwoven into other assignments for my certification, I just needed to see the pattern!

I invite you to explore the connections between IC and your own interests/ skills/ healing tools - how can you weave the treads together? 

Calling Council

At times, writing about our paintings can be a struggle, and how do we translate their messages for the initiate book? One of my periodic practices is calling council! 

Like getting information from an individual lady, I set paintings around me, pour a cuppa, and invite their wisdom. I allow myself time, and am creative in my inquiries! Are there ladies in addition to the 5 from your quest you wish to include in your Council? Perhaps one painted with Shloh or another IC teacher, before you began Color of Woman? While you may not include their stories in your book, they are part of your story and journey!

Note: per Jena - if English is your second language, you can write in your Mother tongue, and just share some highlights in English!! 

I called my first Council on Summer Solstice 2014, after finishing the second painting in Flora Aube's Art of Allowing online course, Sekhmet. Flora was one of Shiloh's first students to branch out, and begin her own school! 

I held a 'council' meeting with 11 of the 12 of paintings I'd done between Feb and June (!!), & my "star lady" wall hanging in the background, which I stitched for my bodywork room over a decade before.

Spirit Council

Gabriella, Mary, Daffy-Down-Dilly

Gabriella - is my Muse of Creativity, from the first IC class I'd taken in February,  a 'Muse Encounter' workshop with my friend artist Elisabeth Friese-Mick! I refined her face, & added ribbons to her dress ... and added interference paint 'sparkle' to her hair!

Mary of Magdala - was the first I painted with inspiration from Shiloh Sophia from an online offering!
 & little Daffy-Down-Dilly (March) was for a local daffodil festival.

Dancers, Wind Horse

I began "Dancers" in March, on International Women's day, & gifted to my ballet teacher Emma Seth - it still hangs in the Marchant Dance studio. 

Beginning ballet classes as an adult with Emma's mother Lynn brought a whole shift in consciousness and body awareness, and intentional movement. Lynn is an important part of my creative lineage.

Drawing and painting horses was an early love, and Wind Horse, with her Red Thread Rider, began in an open studio at Elisabeth's home. The Blue lady, Presence, is my little mama Lois - inspired by her HS photo (around 1933) and her beloved hills and trees.

When calling council, you might pull out several of the inquiries from each assignment, and hunt up notes from your painting process: intention for each lady, notes on symbols, where you got stuck and how she helped you find resolution.

You might wait to review your notes till AFTER you've gleaned a round of messages; then do another council session after that revisit! 

Your story cards hold insights for this process as well - pull a card before or after chatting with each lady, which rewrite are you present to? Does one of the symbols in the painting match this shift? Is there an ally? Are there insights and messages from other IC processes like your Medicine Basket that dovetail?

After the council, you can pull out and refine the stories and information about your individual quest paintings for your initiate book.  I got a small journal to record these messages from my quest paintings and other ladies, for a dose of inspiration when I need it! 

Intention for the Self First

In our Reiki tradition, the lineage keeper Mrs Takata encouraged her students to practice "Reiki for the self first!" before treating others. She taught a simple self treatment pattern, and encouraged them to receive Reiki regularly as well.

With Intentional Creativity®, we begin each painting and project with an intention, an issue we are working on, a theme, a tool for identifying our gifts ... How do we connect with this intention and presence whilst competing our CoW quest? 

Lotus Wisdom - with Tina Greene

While tidying my space (a never-ending adventure!!) this morning, I listened to a favorite podcast with Home Purification coach Michael Spencer. One of the episodes I caught was this interview with mindfulness teacher Martha Rouleau from last summer.

Mindfulness and Intentional Creativity® share some beautiful interfaces and enriching practices.

• Self Compassion - as in our painting process, what if we couldn't get it wrong? We need to follow our inner Muse, not get caught in the tyranny of perfecting or comparison.
• There is an invitation to connect with our senses - touch, taste, smell, hearing, what an I present to? What do I feel? See? What will enrich me?
• Engage curiosity - what am i curious about? What calls for exploration? 
• Take time and space to just be - we can get so caught up doing, we forget to pause! Take a breath- you've got this!

Martha shared a couple of quick and simple movements, and exercises for becoming present. The first she calls Sunshine Breath (and talks through on the recording). A similar movement I've been doing for years comes from Qigong - I love my friend Alessandro's version, which he demonstrates here.

On longer IC calls, we often put on some music and take a dance break in the middle! 

Martha's second suggestion was a wonderful exercise for gaining perspective:

• Stand near a window, or go outside
• Look at something small and close, notice several things about it
• Now look as far away as you can see what's the colour? The form?
• Now choose something in the middle; micro, macro and in between! 

This can be very helpful when we start feeling overwhelmed - it brings our place and our focus in the Big Picture into better perspective.

She also shared the image of the wheel - the center hub, what Stella Mac would call our core values, is the constant. We might get distracted by something going on with one of the spokes - but come back to center for reference. Another image common to mindfulness practices is the lotus, which springs from the mud. No mud, no lotus! 

How can you be more mindful, and care for yourself today? 

Jump back on the train

 In early April, when I checked in with several of those still in process, one SiStar responded saying, "I need to jump back on the train."  

What a great image! Like our lovely Lighthouse circle last spring, jumping back on the train offers inspiration. It invites motion after a needed holiday, or necessary trip to take care of other business! 

Whilst several are in the last stages of assembling their competed assignments for the Initiate Book, (woot!!) others are still somewhere in the middle, with offerings, writing and or their paintings left to compete.

Before our Get R Done call in Dec 2020, Rosie Mac and I suggested sorting the remaining assignments into Ta-das and ToDos, then fine tune the ToDos into: 

• Easy peasy
• A bit more challenging, but I've got it!
• YIKES! 

Remember to check the pared down list of assignments, it doesn't have to be a Magnum Opus! The post with tips from that call is HERE.  

A couple of other posts on getting re-motivated are Reset and Welcome

Legend - Mythic Awakening - in process

The heart of Intentional Creativity is setting our intention for our paintings and projects, and this is a GREAT time to sit with your journal and calendar, and set intention for your next steps. Even if you plan for the longer extension, set yourself goals for your different projects! How do you best schedule and plan? Tap your strengths! The Visual Planning system is one of my favorites for SEEING what I want to focus on!

Check in with your Story Cards and see if you can identify any old stories that could hold you back - what  antidotes did you identify? I find I often have the tools to support me, but just forget to use them! Pull out your Vision Plan Book, and review your vision - what lights you up about IC? Perhaps you want to make a card or two that reflect this - a Chalice card for the abundance flowing - both your offerings nourishing others, and the energy exchange that will flow in .... A card for your Beloveds - Who is seeking you? ...

Heron Walking - Mythic Awakening

Writing a pros and cons list is a tool I sometimes use for making decisions - it can be helpful here, especially if you got off the CoW Train awhile ago - you still have the Ticket, what are some of the pros of jumping back on? 

What's are the Carrots on your Pros list, inviting you to finish your quest and compile your Initiate book?

• The relief of completion, and going on to plan your own offerings and collaborations!
• Graduates, including Muse Timers, are chosen for staff positions and support teams, (which includes payment or a scholarship for the class!) 
• Membership in the Guild at the Active level offers many opportunities for connection, continuing ed, and access to the wonderful library of classes we can take, and ones we can teach (some at no extra charge, others we need to be licensed for)
• I was the Art Doctor for the first Legend class to be offered by Guild Members, which will count as the prerequisite for CoW, and am licensed to teach Legend myself.

What may be holding you back - Cons 

•  Sometimes it's health or family issues - as much as you love IC and want to share it, you just don't have the band width! Your own health or responsibilities currently require too much time and energy. (A number of sisters have surmounted many of these obstacles, managed to complete 'After all!')
• What worked so far, and what was more challenging? (Can you approach that a different way? What are some other options?)
• One SiStar mentioned realizing she's so sensitive to energy, she's concerned about teaching groups. This is something Shiloh often addresses, reminding us not to allow other's energy into our fields, pushing it out with our hands and intention. Movement breaks during a class can help with this as well.  In her own in-person offerings, Shiloh clearly states she is not available during breaks, which she needs for recharge. Taking time for yourself both before and after classes is vital to staying energetically healthy!
• I'm happy to chat with anyone who wants to teach, but has a similar concern! My Reiki blog has some ideas for with and recharging your energy.
• And some gals realize the IC quest was more for personal growth, and feel complete the accomplishment, without certifying! If that's the case, you're invited to check in, and to fill out the Exit Survey.

You might want to take tea with your Muse and journal, or even a painting, to work with your personal pros and cons. Are their ways you can address/conquer your cons? 

If the pros prevail, pack your bag and jump on the train!! 

Instagram and Canva

I began posting on Instagram in 2018, after Maestra Shiloh Sophia suggested we do so, and use the #intentionalcreativity, to boost the numbers of posts tagging our brand to over a thousand - We are now have over 15K posts with that tag! 

In those early days, I wrote, "It's been fun playing with my pictures for posts, making little montages (which don't always behave!) And meeting new virtual friends!"

I enjoy that with Instagram you see the image first, and can connect with other artists and beloveds visually. There's one active link, on your bio page, and a number of people use a service like Linktree or Milkshake to link a series to that bio link. 

As I was exploring options over on YouTube, I discovered using Canva is an easy way to create a 'bio-link' landing page with active links! Who knew?! I've created a number of little posts using my free Canva account, so after watching several tutorials, and this one from Canva - decided to create a mini website instead! 

The bio-link page or website can be edited, so it's a great little link to post in our bios! I used the suggestion of using Bit.ly to shorten the link so it's easy to share. My current website needs to be revamped - so it was perfect timing.  If you want to direct someone to your link, put your Canva address in your post - @nadyakingartist 

I also used Canva to create a post about using hashtags, from an article Stella Mac shared with us! Check out your SiStars' posts for ideas of what to use. This is a simple and free way to begin to connect with your beloveds! 

 

Avoiding Overwhelm

This week, one of our Muse Time SiStars asked about avoiding overwhelm,  as she works toward completion. 

What a good inquiry!  It can help to dance between the Easy Wins, and your more challenging tasks, and to pace yourself. And - breathe!  You've got this! 

You may wish to choose one or two assignments to focus on a day/week, perhaps a set timer (20-45 minutes) then take a break. Pull out a calendar,  and schedule time to spend with your Muse. 

Yesterday I took part in a friend's group EFT tapping session on business, and one of the inquiries was around being successful - what fears arose when we thought of having more clients? 

We taped around being busier, and that it's  ok to set boundaries as well as intentions! The leader shared that she liked talking trine to meditate and enjoy her coffee in the morning, (morning cafe!) She decided not to take appointments earlier than 9:30 - and that her business increased after setting that boundary! 

Look for places similar ideas interface, and group or cross reference them - What are some of the themes that arose in your story cards and medicine basket - do some work together and suggest a class?  

As you work on your Menu of Offerings , jot down ideas for what you want to include in different classes.

Mermaid: shells on the altar, a ritual of blessing water, maybe allies or treasures from the sea, ocean sounds or tmusic ... (etc)

I sometimes make a little booklet or card or two for a class theme; you may wish to start a "future class and workshop" file!

As you work toward completion, be sure to celebrate as you make headway and complete assignments! Every step takes you closer to your goal. 

New Moon Altar

 One of the simple practices we often use in our Intentional Creativity® community is setting up an altar. Home altars have been used since ancient times throughout the world, be people from many traditions. 

An altar can be as simple or intricate as you wish, often set on a lovely cloth, holding momentos of loved people, pets, items from the natural world - rocks, a bowl of water, a candle, some smudge or incense ... I have little altars on surfaces all around my home!

Today marks the first New Moon of 2021, with the sun and moon both in Capricorn. New Moon can be a good time for setting intentions and celebrating new beginnings, and a lovely time to create or reset your altar. 

A couple of years ago Shiloh Sophia shared a process of gathering and blessing water, drawn from a service at her church. From Dr Maseru Emoto's work on water, we know that water responds to intention and spoken words, and can be patterned.

Altar with Magïc brushes and Holy Water

My blessed water from our session included well water, Bulgarian Rose Oil, Hathor oil blend, and Our Lady of the Cosmos flower essence bouquet (formulated for Red Madonna 2015). I placed it in a cut glass, stoppered bottle, which I'd used for Holy Water from a Buddhist lama in the mid 90s. 

I often "charge" water by placing it in a bowl in the moonlight, sometimes with crystals in it as well. We can add some of this blessed water to our paint water, and to a spray bottle. 

The altar cloth is a placemat from France, and holds my Magïc paint brushes, crystals and coral, a carved red turtle (Kenya), dragon on a small pottery plate, reindeer antler, a goddess of fossilized horn and silver, Hathor oil, rose  beads (around the angel), the flower essence bouquet, smudge sticks, a Red Jar candle, and chocolate!

2020 - Altar for Mystic Legend 

Some of my altars are set on cloths, others directly on a shelf. There are crystals, feathers, shells, Oracle cards, a candle or olive oil lamp, gifts from students, small baskets, flowers, holy water, smudge sticks, figurines ... Some are little arrangements on window sills - blue bottlers, a little bowl, bells ...

Denise Linn has written a lovely book on Altars and Shrines. While Zsuzsanna Budapest wrote a one on bringing altars and the Goddess into your workspace 

Do you have home altar?